Children’s Books About Race and Prejudice

"I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin, but by the content of their character."

August 1963, Dr. Martin Luther King, Jr. "I Have a Dream" speech.

In the above Dr. Martin Luther King, Jr. quote, he challenges us to judge others by the content of their character rather than the color of their skin. Prejudices and discriminatory behaviors exhibited in children are learned beliefs and attitudes form society. Some of the societal influences can present themselves in the form of the children’s parents or guardians, teachers and coaches, the media, friends and any other sources of socialization.  Children often emulate and model the behavior they see around them. According to Welcoming Schools, stereotyping and prejudice starts between the ages of 3-5.ⁱ Can you believe babies start to notice race as early as 3-6 months?ⁱⁱ

There is value in educating young children and shedding light on how prejudices and discriminatory behaviors can lead to positive impacts on valuing diversity, celebrating differences and acknowledging how seemingly harmless behaviors can be mistaken for weapons. Below you will find a short, but detailed list of five children’s books based on race relations and prejudice. Using books can be instrumental when inspiring and encouraging conversations with children about race and racial issues that are plaguing our society.

Dream Big, Little One by Vashti Harrison

Each page of this book highlights bold accomplishments of African American women. During this read, you will see familiar faces like business mogul Oprah Winfrey and astronaut Mae Jemison. Featuring 18 trailblazing black women in American history, Dream Big, Little One is the irresistible board book adaptation of Little Leaders: Bold Women in Black History. This book is a great way to show beautiful faces of women heroes while encouraging your little ones to think big! Recommended for ages 0-3.

What I Like About Me by Allia Zobel Nolan

The kids in What I Like About Me, are very different and they could not be happier. From glasses, to braces, to the inclusion of a mirror on the back cover, it is our differences that make us special. Focusing on appearance, nationality, food, and more, this book helps children to learn about diversity and building self-esteem. There is also a Teacher Classroom Pack available to guide you while diving in deep with your students. Recommended for ages 5-9.

A Kids Book About Racism by Jelani Memory

In light of recent events and racial uprisings, parents are finding themselves speaking with kids about race at a much younger age. A Kids Book About Racism is indeed a book about racism that clearly defines what constitutes racism, how it makes people feel, and how to identify racism when it happens. This book not only explains racism in a way children can understand, but it is helpful in cultivating anti-racist minds. Recommended for ages 5-9.

The Day You Begin by Jacqueline Woodson

There are many, many reason to feel different. Maybe it is your cultural background, how you walk, how you wear your hair, or what you eat. Sometimes we feel like outsiders when we enter a room where nobody knows you or looks like you do. Being different can feel lonely at times, but you find the courage to go forward anyway. This book helps set the tone for conversations with little ones around physical differences and how to push through feelings of insecurities.  Recommended for ages 5-8.

Town: A Child’s Story of Racial Injustice by Marianne Celano PhD

This book follows two families- one White, one Black as they navigate through racial injustices in their town at the hands of law enforcement. A book with a very familiar storyline, explores the events of the police shooting a Black man in their community. This book helps to create a safe place for children and to answer questions children might have about racial injustice. Recommended for children ages 4-8.

 

i Winkler, Erin N. (2009). Children Are Not Colorblind: How Young Children Learn Race. High Reach Learning. PACE 3(3) https://www4.uwm.edu/letsci/africology/faculty/upload/children_colorblind.pdf.

ii Bar-Haim, Yair., Talee Ziv, Dominique Lamy, and Richard Hodes (2006). Nature and nurture in own-race face processing. Psychological Science 17, 159–163.

Self-Reflection

By Natalie C. Jones

“The best kind of self-care involves a gratitude practice, a pursuit of self-awareness, and a journey of constant self-forgiveness.” –Elayna Fernandez

SPEAKING THINGS INTO EXISTANCE

I am sure most of you are familiar with the movie and the self-help book entitled The Secret by Rhonda Byrne. The premise of The Secret is based on the law of attraction and how our thoughts can alter and change a person’s life. As a child of color growing up in the south and in the Baptist church, I was very familiar with the notion of “speaking it into existence.” Being aware of my thoughts, when I am feeling bothered or in an interesting place, I am very intentional about thinking of happier times or revisiting photographs in order to shift my thoughts. 

SELF-REFLECTION

The word pivot has been widely used to describe how the world has shifted, adapted, and learned new methods of educating and presenting information. We are all going through a difficult time and are experimenting so many uncertainties, while simultaneously continuing to function at a high level in our homes and careers. Below, I have included phrases and questions on self-reflection. If you are a more creative person, you can incorporate practices that feed your soul. Traveling, making art and textiles are what feeds my soul. What feeds your soul? Have you discovered anything new about yourself since the pandemic started?

Below, you can read my responses to the statements and questions. I have included a blank set identical prompts for you to print and fill out on your own. As a mental reminder, keep this sheet visible on your office table or in your bathroom. The prompts will also work well as a check in with your students.

NATALIE’S RESPONSES

I embrace my authentic self when I sing very badly, share my opinions without fear or judgement, and when I proudly acknowledge that I am weird sometimes.

Today my self-care mantra is take care of myself by any means necessary.

When I am in a difficult situation, I calm my nerves by listening to music, specifically gospel or jazz.

This week I will make choices based on my needs by getting more rest and working out for 30 minutes a day.

This week I am grateful for

1.A career that provides me with new opportunities.

2.Being safe, having a sound mind, and having everything I need to survive.

3.The ability to help and give to others.

Please print this part to fill out and keep visible on your office table or in your bathroom.

I embrace myself authentic when _____________________________________.

Today my self-care mantra is _________________________________________.

When I am in a difficult situation, I calm my nerves by _____________________.

This week I will make choices based on my needs by ______________________.

This week I am grateful for

1.

2.

3.

Classroom Narratives

By Natalie C. Jones

In 2019, the Harvey B. Gantt Center for African-American Arts + Culture created a teacher professional development program, Gantt Teacher Institute, under their Initiative for Equity + Innovation. The two-day arts and professional development institute for classroom teachers focuses on creatively-themed programs featuring leaders in the field of innovation, diversity and inclusion. The institute uses two to three exhibitions as the anchor for workshops and peer sessions.

Professional development pertaining to cultural competency and diversity will help teachers explore social issues and develop creative responses to impact the instructional core. It’s important to develop awareness on issues of opportunity, fairness and justice and the impact these three things have on our students. Sometimes it is difficult to navigate differences in our communities and in our classrooms, however using the arts as a tool for better understanding social capital for action and change can be empowering while simultaneously building and promoting equity in the classroom in order to provide a blueprint for the next generation.

Allowing your students to be able to express racial and ethnic issues openly, will help to deepen relationships and give a voice to the voiceless. Gantt Teacher Institute (GTI) and other cultural responsive programs aim to provide enriching and impactful opportunities for teachers. Equipping teachers with engaging cultural proficiency initiatives will aid in creating teaching tools that foster culturally responsive classroom environments.

Narratives can be changed based on who is telling the story. One of the projects used in GTI is Question Bridge: Black Males. Question Bridge was created by Chris Johnson, Hank Willis Thomas, Bayete Ross Smith and Kamal Sinclair and it is a platform for Black men from different backgrounds and ages to ask and respond to questions about life in America. The project is structured in a documentary style and after attending this workshop, two high school teachers from vastly different schools decided to partner and facilitate a Question Bridge style project that focuses on race, identity and stereotypes in different communities.

Students who are participating in the Question Bridge project are currently reading Stamped: Racism, Antiracism, and You by Jason Reynolds & Ibram X Kendi. During the readings, students are drafting questions with their respective teachers to ask students at the other participating school. The teachers have partnered with the Gantt Center to assist and provide support during this project. After the project is recorded and complete, it will be available online for viewing.

I would like to leave you with a few questions to ponder. What is the narrative you are telling in your classroom? Do student know they have a voice and a safe place to express their thoughts and concerns? How are you building and fostering relationships during this difficult time? There is a great deal of emphasis on narratives through art.  Narratives can motivate students, shape identity and meaning and provide a place of belonging to those who feel marginalized or underrepresented.

More information about Gantt Teacher Institute can be found at www.ganttcenter.org

More information about Question Bridge can be found at www.questionbridge.com

-NJ

The Power of Story: A New Teacher Workshop Series Created by Raven Cook

By Sally Ball

In 2018, the museum had the honor of creating an African American Teacher Professional Development with the late professor from the University of Arkansas at Fayetteville, Dr. Alphonso Grant. As we sat planning on training teachers to use art as an entry point into the discussion on the African American experience, Dr. Grant began to connect paintings to African American literature. When asked why he made these connections, Dr. Grant eloquently summarized his thoughts on the subject by saying, "If you want to understand Black History and culture, you have to read Black literature."

Crystal Bridges has begun a teacher workshop series called the Power of Story to connect great works of art by Black artists with great works of literature by Black writers. In the paragraph below, program creator and facilitator, Raven Cook, explains the passion behind the development of her program.

 Dr. Grant passed away in December 2020, but his words will forever guide my practice as a museum educator. This program continues in Dr. Grant's thoughts, reflecting on understanding the Black experience through literature. The beauty of exploring the rich collection of Crystal Bridges and connecting visual art with historical figures and writings provides teachers with a new entry point into essential conversations around identity, justice, equity, and hope. The program occurs once a month and will reconvene in February 2021. The goal is to use the program to introduce African American History. Using artworks exploring themes and topics such as double consciousness, abolition, women's rights, Black Power, Afro-Futurism, and liberation, paired with essays and writings from Black authors we explore African American History in a new, more accessible way. The program's goals include creating space for teachers to ask and understand difficult topics. The museum program also strives to help teachers find their power to be an agent of change for their students. The program provides activities for teachers to continue the work in their classroom. In these times of demanding radical change, we seek to create a space for change and empowerment.

To register for upcoming teacher workshops visit our website, or for more information on offerings for teachers sign up for our Educator eNewsletter.

-SB

Losing Yourself in Art

By Sally Ball

 Courtesy of Crystal Bridges Museum of American Art

 

“Art is the only way to run away without leaving home.”

                                                                               -Twyla Tharp

I first came across this quote in a social media post and feel like it sums up beautifully the power that art can have in people’s lives. Throughout the pandemic I have used art as a place of connection, belonging, and even escape, in a time when it is easy to feel lonely, isolated, and overwhelmed.

This process began in April of this year to maintain the sense of community in my team of museum educators when we began working remotely. Each week I facilitated close looking dialogues with works of art and ended the sessions with a prompt for team members to respond to and share with each other. It was a great way to feel connected and keep morale up while we were away from the museum and the students we usually worked with. I soon added a similar session once a week for teachers in the community who are a part of our Teacher Advisory Committee. For this group, art making prompts were given at the end of a session and responses shared at the beginning of the following week’s session. This group has become its own community and is very dear to me. Months later we still meet almost every Thursday night. Sometimes we look at art, and sometimes it is just a safe space where teachers can talk about their day and the challenges they are facing.

While the museum was closed due to COVID-19 we also provided opportunities for staff to come together and have facilitated conversations about works of art. Below I share some of my favorite prompts from 2020 as well as a link to  specific works of art from the  eMuseum, an online resource for images and information regarding works of art in the Crystal Bridges permanent collection.

My Favorite Prompts from 2020

 

Emotion Scavenger Hunt

Using the eMuseum as a resource, look for works of art to represent the following emotions or feelings:

Happiness, loneliness, uncomfortable, anxiety, anger, awe, anticipation, acceptance, fear, relief, disappointment, peace, hope, love.

Thinking about the works of art you selected, Answer the following question about each one: What is it about the chosen work of art that evokes that emotion for you?

Alma Thomas created this painting by arranging the color into mosaic-like patterns, imagining what one of her favorite gardens might look like from the new vantage point of space Imagine you can step into this painting. How do you feel in this place? Where do you imagine you are?

Comfort Food Still Life

What has been your go to COVID-19 comfort food? Is it a usual comfort food or a special occasion comfort food? How would you compose a still life featuring your comfort food? What items would you include to get across why this food is special to you? Create an actual work of art that represents your comfort food using the art medium of your choice.

Looking Beyond the Obvious: Finding Connection

Choose two works of art that appear at first glance to you be completely dissimilar. Spend some time looking more closely at both works of art together. Find three similarities between the two works of art. Try using a graphic organizer like a Venn diagram and setting the images side by side to help with this process. Next, think of someone you know who you think is completely dissimilar from yourself. As you are thinking, try to find three things you have in common with this other person. You might be surprised to discover how many things you have in common once you start looking for similarities.

Special Spots

What is your favorite place to be? Use verbal description to help us “see” this place. What makes this place special to you? Create a sketch of the elements that make your place special.

Peto Prompt- What are your “old companions?”

Think about the things in your life that are important to you. You could choose objects, people, ideas…literally anything. If you were to create a shelf with items that tell us a little something about you, what five items would you place on your shelf? If you chose people or ideas, how would you represent them symbolically on your shelf?

If you are interested in more prompts like these please send an email to [email protected].

- SB

Minding My Own Business: The Importance of Self-Care

By Sally Ball

One of the best things to come out of 2020, in my opinion, is the prioritization and focus on self-care. My own journey with mindfulness and self-care began in 2019 when I attended the NAEA School for Art Leaders (SAL) at Crystal Bridges. I had dabbled in meditation previously, but without any real success. I did not have a good concept of the idea of work/life balance, and this is still an area I am working on. A variety of mindfulness activities were presented as part of the SAL sessions each day and these really launched my dedicated interest in this field of study. Especially impactful for me was the use of the book, Mindfulness and the Art of Drawing: A Creative Path to Awareness by Wendy Ann Greenhalgh. This book is full of wonderful drawing exercises, some of which, such as Mindful Doodling, I have used to center my team of museum educators prior to gallery teaching training sessions.

As part of their response to the pandemic, and its impact on the staff at Crystal Bridges, museum leadership made available for several months the daily Mind-Body Live series from the Whole Health Institute. I attended these short sessions as my schedule would allow and learned some activities that have become part of a regular mindfulness and meditation practice for me. Each video in the series, led by the brilliant physicians at the Whole Health Institute, begins with a thematic teaching moment which transitions into a mindfulness routine. Some of my favorites are the neck stretches and eye calisthenics, facilitated by Dr. Henri Roca, both of which help to alleviate some of the stress and discomfort that are the result of working in a virtual environment, and the mini mental vacation, facilitated by Dr. Tracy Gaudet.

In addition to the Mind-Body Live series, the Whole Health Institute has a microsite  Whole Health 4 You, which is a free video resource for children, parents, and educators looking to focus on health and well-being. This is a resource that Crystal Bridges is utilizing as our team of educators creates a series of My Museum Classroom Kits for 6^th-8^th grade students which are centered on social and emotional learning standards.

My initial interest in working with the Whole Health Institute was in relation to the work I do with students in the juvenile justice system. For those programs I have followed a format of close looking and open dialogue with works of art followed by self-expression in various art media. Moving forward, I want to add a component of mindfulness and self-care into these monthly sessions. Crystal Bridges is also developing, in 2021, a series of professional development sessions for teachers centered around Empathy and Wellness.

For more information on School Programs at Crystal Bridges, email [email protected] or sign up for our Educator eNewsletter.

-SB

Words Along the Way: Exploring the Impact of Words

By Sally Ball

As an artist I rely on self-expression to make sense of the world as I experience it. I am generally an inspired individual who rarely lacks creative output. Then 2020 happened. As one show after another delayed or cancelled, I found myself wondering, “What is the point of creating anything?” I found that point in a project that I call “Words along the Way”.

In late December 2019, I began this project, focused on the power of words, as the result of a conversation I had with a student in one of the Juvenile Justice programs I facilitate as part of my work with Crystal Bridges. In that conversation I did not share some advice that I later wished I had.

The next day I started stamping messages as fast as I could.

In early 2020, I introduced the project in the weekly class I facilitated as part of a diversion program for young men with court involvement. In my sessions I worked with these young men on developing basic metal working skills, something that requires perseverance and patience. For one of the classes I had the students think about a time they felt bad and what words would have made them feel better. From there the prompt was simple: Stamp the words you identified on a piece of metal and either give them to someone important to you or leave them for someone to find.

For this project I gave my students new sheets of metal. After class I created my stamped messages from their scraps and mistakes. The marks that the young men made as they were learning to work with metal, were important for me to incorporate, and add beauty to the finished stampings.

I have turned down offers from people to buy the stampings, preferring instead to leave the pieces anonymously on trails when I hike. I now ask friends who hike to take pieces with them so that the messages can reach a broader audience.

During two phases of the project, I have left more than just the words at the different locations. The first was in April when I found hammering to be a wonderful way to release the emotions I was feeling at the time.

The second has been in the last week and involves leaving simple bracelets and pendants with either the words “for you” or “you are beautiful”.

Photography is an important part of the process and my only record, since I never know who finds the pieces. I hope that as a result of this project I have impacted lives positively and that I have been able to bring some light during a time that has had moments of darkness.

The images from this project can be seen on Instagram #choosewordsusewords.

^-SB

When the Talking Gets Tough: My Favorite Strategies for Facilitating Difficult Conversations

By Sally Ball

Courtesy of Crystal Bridges Museum of American Art.

As a society, we can be challenged in our ability to speak to one another about subjects for which there are deeply held, complex, and varying perspectives. We now face the additional challenges of social isolation and communicating via Zoom and other virtual platforms where it can be harder to read social cues and body language.

As a leader, I have struggled with communication in general and avoiding/mediating conflict, so in 2019, when I attended the NAEA School for Art Leaders, I wanted to make this a focal point for my leadership growth. I am not claiming to be an expert in facilitating difficult conversations, but I would like to share some tools I have found to be helpful on my journey to becoming a better communicator.

Ladder of Inference

This is by far one of my favorite leadership tools that I have acquired. Many who teach, whether in museums or classrooms, are familiar with VTS (Visual Thinking Strategies) founded by Abigail Housen and Philip Yenawine. The Ladder of Inference also makes thinking visible. This tool is all about bringing to light how people get from point A (pool of information) to Point B (conclusions). It takes practice to incorporate this strategy into your toolbox, but once you do it is a very versatile tool. I have used it both personally and professionally to help me understand another’s perspective.

Daily Question Process

What I love about Marshall Goldsmith’s Daily Question Process, is that each of the questions, which are determined by the individual forming the list, begins with the same stem, “Did I do my best to…” so personal accountability is built in to the process. Notice, too, that the questions ask if one has done their best, not if one has succeeded, which allows for the fact that people are not infallible, and since the questions are daily, if you didn’t get it right today, there’s always tomorrow. To further my work in developing my communication skills for having difficult conversations as a leader, I ask myself daily, “Did I do my best to not avoid conversations that make me uncomfortable?” and, “Did I do my best to not avoid things I don’t want to do?” Knowing that I have to answer these questions each day motivates me and keeps me from putting off dealing with the things I find challenging.

“I” Messages

The last strategy I want to share is the three part "I" Message. It takes some practice to get in the habit of framing your feedback to reflect a specific behavior, consequence of the behavior, and how it made you feel, but once your class or team has the hang of it, “I” messages provide a shared language for giving any type of feedback.

Facilitating difficult conversations takes courage, practice, and some strategies you can count on. I hope these will prove helpful to you on your own leadership journey.

- SB

Necessity is the Mother of Invention: Adapting Crystal Bridges’ Educational Programming in the Time of COVID-19.

By Sally Ball, Interim Head of School Programs

2020 has been the fastest and slowest year of my life, a year filled with duality. Education was not immune to this phenomenon. For me, this has been the most difficult year I have ever experienced as an educator, and it has also been the one that has sparked the most creativity and innovation.

At Crystal Bridges Museum of American Art we offered mostly in-person programming prior to the pandemic. When quarantine forced us to discontinue this model, we were left wondering: What does museum education look like when you cannot be in a museum or have an in-person audience?

A Community Social Connecting Campaign: During the spring and summer, the Education department answered this question with a variety of new offerings. The museum’s Community Engagement team identified key areas of community support, including a social connecting campaign to foster connection with vulnerable and isolated groups. As part of this campaign, we commissioned nine local artists to create original artworks around the word “TOGETHER,” which were then turned into postcards that the community colored in and murals that traveled to hospitals and care facilities in Northwest Arkansas.

Courtesy of Crystal Bridges Museum of American Art. Photo by Ironside Photography.

Courtesy of Crystal Bridges Museum of American Art. Photo by Ironside Photography.

Educational Videos for Schools: The School Programs team developed a YouTube video series called Bridging the Gap to support teachers in their new virtual classrooms. These short, digital art engagements, created using Screencastify for voiceovers, were designed to connect teachers and students with works of art at Crystal Bridges.  

Art Kits for Children: The Public Programs team created My Museum Kits, which include close-looking videos, artmaking videos, and art supplies for kids.

Courtesy of Crystal Bridges Museum of American Art. Photo by Ironside Photography.

Going Forward: The experiments that began as a response to the pandemic have fostered new ways of teaching at Crystal Bridges. For example, the Bridging the Gap videos led to the genesis of free live virtual school tours. These tours capitalize on the advantages of using technology while still delivering our student-centered, dialogue-based explorations of art, and are available to any classroom, anywhere. The My Museum Kits were so well received that we now create kits for our different audiences, including classrooms, families, and adults with dementia,  and plan to continue them well into the future.

The learning curve has been steep, the pandemic stressful, and the reimagining of our educational practice has been challenging, but for me, it has also been the most exciting and invigorating experience of my educational career.

To learn more about School Programs offerings at Crystal Bridges, sign up for our Educator eNewsletter.

-SB

November in Review

By Lark Keeler

As it is time for my final reflection, I want to begin by offering my sincere gratitude to NAEA for this opportunity.  It has allowed me to stretch and explore new ways of thinking and expressing, creating and communicating.  

This month of November I hope that you have had moments to cultivate gratitude in your life.  As we continue to move into the winter season, we begin to shift to ideas of gift giving.  With the action of giving, also comes receiving.  I invite you to take a moment and feel the rhythmic energy of giving and receiving as you inhale and exhale.  Reconnect to the space you are in.  Cultivate feelings of wonderment and awe, gratitude and curiosity.  

Send loving-kindness into the world by starting with yourself and expanding your circle outward to friends, family, community, country, and to the earth.  Try a metta, or loving-kindness meditation to start a new ritual of giving love to yourself and love to others.  

Know that your work in arts education makes you a gift to many others around you.  Know that you are the best part in a student’s life.  Your wisdom and compassion, enthusiasm and joy for the visual arts is a gift to the learners you work with.  Your passion for life-long learning and sharing lifts others.  These are gifts that you give to the world as educators.  

Remind yourself about the power of receiving, as you give so much.  Remember to breathe, to reflect, to be gentle with yourself.  Take time to fill your well.  Receive the blessings of purposeful pauses and recalibrate your bodies, minds, and spirits to be united and continue to be abundantly creative forces in the world.   Receive this hope and encouragement for a renewed resolve and approach as we conclude 2020 and move into a new year with a refreshed vibrancy, ready to continue in the work that we are called to do.  

-LK