Monthly Mentor

Renee Sandell, PhD (May)
Recently named 2013 National Art Educator of the Year, Dr. Renee Sandell is Professor of Art Education at George Mason University in Fairfax, Virginia where she developed and directed Graduate Art Education Programs from 2004-2009. She holds a Ph.D. and M.A. in Art Education from The Ohio State University. Her research and teaching interests include visual literacy, museum education, gender issues, studio pedagogy, art and healing, and the professional development of teachers. Co-author of two books on gender issues in art education, Renee Sandell has published numerous articles, book chapters and designed elementary and middle school art curricula.

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Wednesday 04.25.12

The 21st Century Learner

The first advice about teaching I ever received was “Get to know your learner.” This piece of advice has stuck with me over the years and has proved time and time and time again to be a key component in running a successful art classroom. We must analyze the learners of the 21st century.  This has been a hot topic in education recently and understandably so. Our times are changing and therefore our students are changing as well.

This new role of the student matched with the new role of the educator sets up a forum for research. The 2012 NAEA conference focused on the melding of theory and practice. This idea should become the theme for the 21st century classroom. Our students have unprecedented access to information that they can digest at the level they are at. If we allow our students to be researchers in our classroom they will bring to the table information they have found and are interested in learning and analyzing. In a presentation given at the Maryland Institute College of Art during the NAEA student chapter annual conference keynote speaker Dan Barney discussed a unit he did with his students concerning dress. As the educator he did not give them a specific prompt, but allowed them to research the topic and delve into an area that they found meaningful.

At Baltimore City Neighbors Charter School middle school students participate in a year-long research study. Students from the school are able to choose any topic they would like from sports to peanuts. The principal there talked about a student who did a project on cheese. It, however, is not the topic that is important it is the skills these students are developing that will prepare them for the world they are living in. The P21 partnership has developed a skills map for the 21st century learner that outlines the types of skills students will need to enter into the current workforce. This skills map highlights the need for a melding of 21st century skills and themes into core curriculum. The partnership advocates for the necessity  to teach life and career skills, Information, Media, and Technology Skills, Learning and Innovation Skills, and assess 21st century themes along with the core content areas.

Class_model

-Sarah Damiano

Works Cited:
1.    . "Life and Career Skills-The Partnership for 21st Century Skills." The partnership for 21st century skills. N.p., 2011. Web. 25 Apr 2012. <http://www.p21.org>.
2.     Gude, Olivia. "http://www.uic.edu/classes/ad/ad382/sites/AEA/AEA_01/AAEA01a.html." UIC Spiral Art Education. Falmer Press, New York, NY., 2000. Web. 25 Apr 2012. <http://www.uic.edu/classes/ad/ad382/>.
3.    "21st Century Skills Map." . National Art Education Association, April 15 2010. Web. 25 Apr 2012. <http://www.arteducators.org/research/21st-century-skills-arts-map>.
4.    Moore, Leslie. "Testimony by Leslie Moore for Arts Map." 21st Century Skills Map. (2010): 1. Web. 25 Apr. 2012. <http://www.arteducators.org/research/Testimony_by_Leslie_Moore_for_Arts_Map_Release_July_2010.pdf>.

Monday 04. 2.12

The Emerging Art Educator

I am in the midst of finishing up my second student teaching placement and transitioning into the real world of art education. I have learned a lot from my time at the Maryland Institute College of Art. I know that I will carry with me the advice and mentorship I have received from my colleagues, my professors, my cooperating teachers, and my students. I hope to offer some insight about what being an emerging art educator means and why it is important to find your own voice in this profession. How do you now make use of this toolbox you have created in a way that supports your personal pedagogy? I am only beginning to answer this question. Over the next month I want to highlight some of the miraculous learning environments and teaching moments that I have witnessed, and the ways in which they have inspired my approach to teaching.

I want to start off by highlighting a simple moment I witnessed while observing a kindergarten class in Baltimore City. A group of students noticed a cricket on the floor and crawled under the table to look at it. Instead of reprimanding the students for being on the floor when the teacher came over she asked them “what do you see?” The students pointed to the cricket. The teacher then took advantage of this moment. She obtained four magnifying glasses and crawled under the table with them to examine it. This simple moment has taught me a great deal about assumptions, and the importance of harnessing student curiosity.  Maria Montessori once said, “Respect all the reasonable forms of activity in which the child engages and try to understand them.”

The concept has allowed me to develop a greater understanding of the children I work with, and how they reach those pivotal moments of comprehension. I have noticed how aiding students to answer their own questions leads to not only deeper engagement, but also greater retention.  Art making is full of discoveries, and there is no greater reward then helping students make them.

-Sarah K. Damiano