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Stacy Fuller(February)
I am the Director of Education at the Amon Carter Museum of American Art in Fort Worth, Texas. In this role, I work with a talented team of fifteen museum educators to ensure the development, execution, and evaluation of the Amon Carter’s mission-focused educational programs and resources for various audiences. With experience as a museum registrar, in curatorial work, and designing professional development programs for educators, I have a passionate love for works of art and also accessibility—making sure that visitors of all ages, backgrounds, and abilities are able to enter, access, and engage with museum collections.

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« Rejuvenate your Creative Battery | Main | How do you find inspiration? How do you convey to your students the idea of finding new ways to stretch themselves? »

July 12, 2010

How do you go about getting your students to look at art on that deeper level?

Looking at art to evaluate with students requires setting up the process of evaluation in specific ways. Students tend to  feel that their work and any discussion of their work is a reflection of them personally. When someone says they don't like something they take it as saying they don't like them and tend to dismiss the comments. Students have to learn to respect each other and their work enough to accept critical comments about their art. Its not just about whether you like the work or not but appreciating what the artist has done, how the work was set up, the meaning it conveys to you, the ideas that are expressed or conveyed and how it will stand the test of time. How do you go about getting your students to look at art on that deeper level?

How do you build that sense of trust in your classroom that allows students to feel comfortable enough with each other to openly and honestly comment on each others work?

In my classroom I start with a series of questions where they interview another person in the class that they don't know and then introduce that student to the class based on what they learned. Each day we have a question of the day asking them to share more non threatening information about themselves to help everyone get to know one another. By building an atmosphere of trust they begin to feel that they can talk to each other.
For the first critique I have them choose a partner and discuss their work with each other. Their job is to find out about the artists intent, how well it was accomplished, what they think is working well and suggestions for improvement. For the critique the partner introduces and defends their partners work. They talk about what the work is about, how well it was accomplished, how the composition is working and the meaning they got out of the work. The actual artist doesn't speak so people are more open to talking about the work. Students begin to get a little more detached from their work and see it as an opportunity to improve their art.

What kinds of things do you do with your students to open up that dialogue? Do you have a specific technique or process? Let me hear from you?

-Rosie Riordan

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Comments

Emily

We use Visual Thinking Strategies (VTS) to engage students in very in-depth discussions about art. It is a facilitated discussion method in which the facilitator (the instructor) asks three questions: What's going on in this picture? What do you see that makes you say that? What more can we find? Every response from every student is paraphrased in neutral and conditional language with no input, opinions, or information from the facilitator. Students build off of each other's comments, feel free and safe to express differing viewpoints, and present visual evidence to back their statements. This method builds critical thinking, encourages longer looking, bolsters vocabulary, and allows students to be open to multiple possibilities. It gives them a chance to explore and discuss what interests them (not the teacher) in a way that strengthens language and observation skills.

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