How Frank Lloyd Wright and a Progressive Art Teacher Made Me an Art Historian
Picture a high school student who loves art, but who just isn’t very good at drawing, painting, or sculpting. Her work is the stuff that elicits “nice effort” and “interesting composition” from her teacher and an obligatory spot on the refrigerator at home. She is the one who jealously looks at all the other students’ work, wondering why her figures don’t look correctly proportioned or her coil pot doesn’t stand up straight. This student was me almost fifteen years ago.
I have always loved art and have always tried to make it. I can still recite my art teachers’ names, but somehow can’t recall most of my language arts, science, or math teachers. Art was the class where I could think outside the box, experience colors not found in my Crayons at home, and dangerously wield scissors. But while it brought me lots of joy, it also made me sad…I knew I wasn’t cut out to be an artist.
Then, one day in high school, my wonderful art teacher Mrs. L. showed us a video on the architecture of Frank Lloyd Wright. This opened my eyes to structures that looked differently from the grocery stores, stadiums, and government buildings I saw around my tiny East Texas town. It made me realize you could create a house with a live tree growing out of it! Most importantly, it made me understand that I could love art, get to be around it, and study it without having to be successful at making it. With that one video, Mrs. L. gave me (and all the other students in my class) an introduction to art history.
Mrs. L. didn’t just introduce us to Frank Lloyd Wright, but to other artists through books, posters, and videos. Her class was our museum since we didn’t have one close enough to visit on a field trip. She was one of the reasons I pursued an undergraduate degree in museum management and a graduate degree in art history. Because she knew that to reach all of her students she needed to combine art-making with art appreciation. And for at least one student, that knowledge shaped an entire career, as I’ve had the privilege to work in museums for the past decade.
This month on the NAEA Mentor Blog I hope to share ideas that will inspire you to add additional art history topics and resources to your teaching toolkit. I plan to post three entries each week: Getting to Know, which will introduce American artists and their work; Museums and You, which will highlight key classroom resources from museums across the country; and Art Speaks, which will discuss how artists and their work can be used to jumpstart conversations about important societal issues. I invite you to join the conversation by commenting on the posts.
Finally, I want to thanks Mrs. L. and all the other art educators who teach their students not only one-point perspective, but also about Degas, Picasso, and O’Keeffe. We truly appreciate it!
-Stacy Fuller

